“Looking at Pauline Johnson: Gender, Race, and Delsartism’s Legible Body.” Theatre Journal 72.1 (2020): 1-20.
“On Teaching Kim’s Convenience: Asian American Studies, Asian Canadian Studies, and the Politics of Race in Asian Canadian Theatre and Performance Studies.”
Theatre Research in Canada/Recherches théâtrales au Canada 39.1 (2018): 8-27.
“Forgetting Asian Canadian Experimental Performance: Fred Wah and Haruko Okano’s High(
Canadian Theatre Review 174 Special Issue on Commemoration,
eds. Heather Davis-Fisch and Selena Couture (Spring 2018): 13-19.
“Yella Gal: Eartha Kitt’s Racial Modulations.”
Women & Performance: A Journal of Feminist Theory 28.1 Special Issue on Surface Aesthetics: Art, Race, Performance, and Play,
ed. Uri McMillan (2018): 16-33.
“The Pose as Interventionist Gesture: Erica Lord and Decolonizing the Proper Subject of Memory.”
e-misférica 11.1 Special Issue on The Decolonial Gesture,
eds. Jill Lane, Marcial Godoy-Anativia, and Macarena Gómez-Barris (Spring 2014): 1-19.
“Race and Performance in the US-Canada Borderlands.” (co-editor with Katherine Zien). Special Issue of Theatre Research in Canada /Recherches théâtrales au Canada 41.1 (2020). Introduction found here.
Performance Review. “The Chinese Lady: US History’s Object Lesson Becomes US
History’s Interpreter” TDR / The Drama Review, 2021. (forthcoming)
Book Review. “The Racial Mundane: Asian American Performance and the Embodied Everyday, by Ju Yon Kim.”
Modern Drama 60.3 (2017): 397-399.
Performance Review. “The Trinity River Plays.”
Theatre Journal 63.4 (2011): 642-644.